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Thursday, February 11, 2010

UNCLE Friday - The best of Napoleon

Continuing with UNCLE Friday, when do you think Napoleon was at his best?  Is there a particular episode or season that you think really captured the essence of Napoleon?

Personally, I believe Season One did the best at developing Napoleon's character, and that he was particularly good on his own in "Iowa Scuba" and "Dove".

Cousins, would you like to share your thoughts?

2 comments:

Benzadmiral said...

"Dove," certainly, is the early story in which he shows why he's the Chief Enforcement Agent. I also like "Strigas," for his diabolical plotting (though Illya has a lot to do with how it all works out), and "Iowa Scuba" and "Yellow Scarf," in which he seems very private eye-like. In fact, in almost any story where he's on his own, he'll shine in a way, because all the spotlight is on him.

I'd have to say that the climactic scene in "Never-Never," in which he first delays Gervais with his threat, and then actually manages to plug the guy in the shoulder by looking in the mirror, is The Classic Solo Moment. Note how we see he's astonished that he managed it, and then passes it off to Illya with, "Smart American"!

Unknown said...

First Season offered the most great stories that showcased and thus developed Solo's character. DOVE, as mentioned, is definitely one of those. We can't forget TERBUF though, where his romantic and loyal-to-old-feelings inner streak is so showcased. And his clever way of plotting shines in many of the Season 1 episodes, like STRIGAS, FIDDLESTICKS and YELLOW SCARF.

That moment Benzadmiral mentions in NEVER-NEVER is definitely classic Solo, and in that episode as well the side of his personality that likes to make folks feel appreciated (what he does for Mandy though it backfires) is shown as well. Another classic Solo moment I think is in LOVE when he tells the scientist guy to attach the explosive charge taken from the heel of his shoe to the wires binding his wrists but to first scrape off some of the charge since he'd like to come out of the incident with wrists (reckless to a point, but no dummy).

But various aspects are showcased throughout all the seasons. Certainly NOWHERE in Season 2 can't be overlooked where we see his vulnerable side. In CHERRY BLOSSOM we see again the guy that wants others to realize and appreciate their own worth when he is talking with the girl as they are both tied up as marionettes. And though INDIAN AFFAIRS is a poorly written episode overall, I think the moment when a nonchalant and very sure-of-what-he-conceives-as-the-answer-to-the-puzzle-of-where-the-bomb-is Solo shoots open each possible-bomb-housing briefcase in turn is another Solo classic. The guy was self-confident in a way most aren't, i.e., he was willing to risk everything once he had made a decision about something. He didn't cling to doubts in such circumstances as most would. All or nothing: that was often true with Solo.

In Season 4 SUMMIT FIVE shows us a Solo with enough self-confidence to risk more than his life when he insists on undergoing interrogation by his own so he can catch out who the real mole is.

Even oftentimes bad Season 3 shows us how an amorous Solo accepts "no" for an answer with charming good grace in OFF-BROADWAY, thus revealing/developing another aspect of his character.

On the whole I have to say that Napoleon's character was much more developed than Illya's ever was in the series. That's okay by me though, cause Napoleon is my favorite [chuckle].

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